Ty, Naran and Breck are the ones who put that together the way that it is, and I get to just marvel at it. Admittedly, battles are not my personal strong suit this is why we have a team. TVLINE | What other moments from the finale were especially visceral to see on-screen? The space battle was pretty intricate for the show. When things like that happen, I can’t maintain my creative distance. When they get around to her “If something goes wrong…” message? Yeah, then I’m just watching. When Naomi jumps out of the Chetzemoka that last time? All I’m doing is watching.
It’s weird because my experience as a viewer of the show is so influenced and informed by all the times I’ve spent putting “2x4s under it” and negotiating, like, “Should it be three feet to the left…?” It’s easy for me to get caught up in the minutia and the technical stuff, but every now and again, as I am still in my “editor’s brain” looking at it, you hit a scene that just pops and you’re pulled into the story again.
TVLINE | What was it like to see such a seminal series of events be brought to life in the finale? Or is it almost “old hat” for you at this point? Plus, did possibly survive that final scene?! TVLine hopped on a Zoom with Daniel Abraham, series EP and co-author of the novels on which the Syfy-turned-Amazon Prime series is based, to get his unique perspective on Naomi’s nail-biting float and the “brilliant” way it was directed.
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